Monica Rizzolli (São Carlos, Brazil, 1981) is a Brazilian artist whose research moves between art, nature and generative processes. She holds a degree in Visual Arts from UNESP and studied at the Kunsthochschule Kassel. She began her career as a painter before turning to creative coding. In 2015, as a MAK-Schindler fellow, she presented her first generative work at the MAK Center. Since then, alongside her artistic practice, she has worked as an art and technology educator and helped organize the creative coding community in Brazil, including Noite de Processing and editions of Processing Community Day. She is the editor of Variável, a magazine dedicated to art and digital cultures in Brazil. In 2025, she took part in the exhibition Infinite Images: The Art of Algorithms at the Toledo Museum of Art (USA), and her work is in the collection of LACMA (Los Angeles County Museum of Art).